A blog about our adventures becoming a published Indie Authors. Here you will find advice, humor, and stories about what we've learned on our journey, along with books reviews, as well as great advice from other authors we've met on our journey. It's a long road, but the things you'll see and experience along the way can be very interesting.
As many of you know I've been working on "The Door" for the last four years. And looking back on that sentence I'm wishing I'd phrased it differently, because it makes me sound like someone who is the lamest handyman in creation. Hmm... there might be another blog post in that. I can see it now "Choosing Your Words Carefully"...
Anyway, getting back to today's topic, yes I've been working on that novel all this time and it still isn't finished. In fact the closest I've gotten is halfway. Why? See below...
But seriously, I was trying to put too much material and characters into the story. I had forgotten one of the cardinal rules I try to write by, which is "Keep It Simple Stupid". When you have a story that already has a number of twists and turns built into it, DON'T MAKE IT MORE COMPLICATED! Secondly, if you are building a series you don't have to introduce every bloody person who's going to appear in it all at once! In fact, when you're working on the first draft get the main story down on paper first. Then go back, read it, re-read it and then start a second draft. But above all get that 1st draft finished! All the extra layers and details you want to put to make things more real can come later.
In my case, I was cluttering the story with scenes I thought were cool and would make people laugh or gasp. Plus I was bringing back secondary characters from the first two books, adding new ones I'd been dying to introduce, plot twists, you name it I was throwing it in. And time after time, the story kept getting too heavy and complicated for even me to follow.
So finally, instead of simply going back and trying to simply remove scenes or fix things little by little (like I'd done a dozen times already) I found myself simply starting over and practically rewriting the book from the beginning. And guess what? It's working.
I've dropped God knows how many scenes I thought the story couldn't live without, only to realize I was the only one who thought like that. I had to remind myself that as the storyteller I already knew exactly where things were going, but what about the readers?
I was forgetting just how important it is to stop and take a look at what you've done and try to see it through the eyes of a reader. Every story is a new journey to them. Oh you might be giving the readers familiar characters to follow on this new adventure, but it's still your job is to keep this journey interesting. Do not overwhelm them with so much new stuff that they feel overwhelmed, especially when you have an ongoing series where there's still so many stories that lie ahead. You have plenty of time to use a great many of those ideas bouncing around inside your head.
So as I said earlier, I wound up removing a bunch of scenes from the plan and saved them on one of my many memory sticks. And I know I'm about to repeat myself, but we all need a reminder some days "Whatever you don't use in your current story may be just perfect for another book down the road."
Now, getting back to the rewrite, the story has been trimmed down yet is still going to be exciting. Plus I'm making sure events in the previous books are still being felt, like having some of the cast who faced the nightmarish creature from "The Bridge" having troubles with PTSD. There really is so much already in store for the readers with this book that scaling things down has allowed me to really get the book back on track. Plus I'm finding it that much easier to write. I'm already over 50 pages into the story and on a roll.
So if you're finding yourself getting stuck time and again while working on just one story, taking a few steps back may be what you need to do to move forward. It's not an easy thing to do, trust me on this. But it can sometimes make all the difference in the world to what you bring to your readers.
Alex Hill buried his psychic
talents for eighteen years. But with the scream of tires and twisting
metal all this changes...
His girlfriend, Police Sergeant Veronica Ross, is nearly run down by two teenagers who wind up crashing their car and are pronounced dead at the scene. After calming his love down they get a call from the Coroner's office stating that both the driver and passenger of the wreck had NOT died at the scene, but had been dead for almost twelve hours as a result of drowning.
Upon hearing this he feels his powers stirring again
and insists on accompanying Veronica to the coroner Morgue to learn
more. Upon their arrival Alex finds himself psychically assaulted by
an unknown force. Taking the attack as a warning, he tries to resist
getting involved further. But, his talents soon lead him directly to
a stream underneath an old stone bridge which turns out to be where
the teens had died. Unfortunately for him, both the bridge …
Recently there's been a lot of discussion of Amazon Kindle's latest program... "Kindle Unlimited".
Now for those of you have heard but don't know a lot about it, here's a quick recap in a nutshell.
*Remember: this is only a brief overview and not an in-depth piece. I understand there are still some details to be ironed out*
With Kindle Unlimited, you pay $9.99 a month to have unlimited access to Kindle books through Amazon. You don't have to 'buy' the books, you simply have access to them. Sort of like a private library that you pay a monthly fee to have access to. Now considering there are literally thousands of books on Kindle this is a pretty good deal for consumers. You can sample and read any the books and decide if you actually want to purchase a copy for yourself in e-book or maybe go for an actual print copy, without wondering whether or not the book is to your taste.
So on the surface, this sounds pretty good right? So how does thi…
REVIEW BY HELEN KRUMMENACKER
I’m starting this book review with the book still unfinished. It’s the kind of book that you think about a lot while reading it, even as you itch to turn the pages again. I can’t compare it to the movie or TV show, as I wanted to read it rather than watch it. I would advise this, although the adaptations may be excellent. The voice of the narrator is crucial. The voice of the narrator is crucial to the story’s style. We begin, a little scared, a little confused, picking up meaning from tiny details-- because that is what she can give us. Her voice becomes clearer, gradually, as she moves farther from the drugging and brainwashing and has time to rebuild her story and factor in the new things. But even ¾ of the way through, I still don’t know what goes on in the colonies that has her worried about being sent there, or what the real fate of Unwomen is. Sometimes, it sounds like she’s afraid of being executed and sometimes it sounds like there is something w…